Thursday, 30 June 2011

The female POV

My experience of female photographers on the internet on sites like Flickr, is that they can be the most inspiring, creative and exciting exponents of the craft of photography seen today, but they can also be the most predictable, boring and self indulgent of all photographers. Self portrait after self portrait, flower after flower, shoes after shoes, pet after pet, baby after baby.  That said, it was seeing the work of a female photographer (Diane Arbus) that slapped me across the face and woke me up to the power of photography again.

To get to the point of this post - can (and should) forms of expression be discussed in 'men's' or 'women's' art? Does gender affect output? (Not many female landscape photographers is there?) Does gender of the photographer affect the viewer's response to the image?

Well, having listened to Jeff Curto's Class # 11, Spring 2011 podcast, the answer seems to be, no. Time and place determine style, not gender. The so called golden era of photography (1880-1920s) coincided of course with social, cultural and political change, especially for women. Historically, photography has been a male dominated field, due partly to the technical and scientific nature of the art form, but also due to the fact that men were involved in photography as a commercial, money making venture. Women's place remained in the home, as wife and mother, until quite recent times. Women were often stuck at home and not until there was a series of technological advances which could 'release' them from the home, could they grab the new Kodak and shoot the flowers, pets, babies and friends that surrounded their world, i.e not too far from the hearth. Working class women of course remained in a life of poverty and toil, in the factory or working in the 'big house'. Interestingly, many started late in life to help deal with 'empty nest syndrome'. Women moved from the hearth to groups like the photo secessionists, FSA and f64. They were soon making social and political comment and embracing all technical aspects of their craft.

As their world changed and more opportunities opened up for women photographers, they have produced some of the most creative, original and powerful pieces of work. They have moved far from the hearth and are often at the forefront of photography. A great excuse to show some examples of the development of women photographers (mostly American):

Julia Margaret Cameron:

Lady Clementina Hawarden:

Frances Benjamin Johnston

Gertrude Kasebier

Anne Brigman

Chansonetta Stanley Emmons

Imogen Cunningham

Dorothea Lange
Marion Post-Wolcott
Margaret Bourke-White

Barbara Morgan

Diane Arbus

Marie Cosindas

Olivia Parker

Joyce Tenneson

Sally Mann

Annie Leibovitz

Connie Imboden

Cindy Sherman
Mary Ellen Mark

Susan kae Grant

Thanks again to Jeff Curto's History of Photography.